Night of the Murdered Poets

The following article originally appeared in The Jewish Voice on August 10,  1984.

Thirty-two years ago today in the dark cellars of Moscow’s Lubyianka Prison, on Aug. 12, 1952, after months of torture and interrogation, 24 of the leading Jewish writers, artists and poets of the USSR were murdered. This was the climax of Stalin’s campaign to eradicate Jewish culture from the Soviet Union. Three decades later, in spite of detente, grain deals, cultural exchanges, Senate resolutions, human-rights petitions, Helsinki and Madrid, Soviet policy has never veered from this relentless quest to reduce Jewish life in the USSR to a footnote in its revisionist history.

This was not always so. Shortly after Lenin signed the 1917 “Declaration of Rights to the People of Russia,” Jewish cultural institutions flourished. At that time, one could choose from 11 Yiddish newspapers or more than 60 periodicals, visit Yiddish theaters in major cities and purchase books from publishing houses offering dozens of editions with copies in the millions. Although such activities were carried out strictly according to party policy, few sizable Jewish population centers were without a cultural establishment employing Yiddish, the language of “the Jewish minority.”

By the 1920s and ’30s, however, Jewish culture began its subsistence on a starvation diet. Government assistance was diminished in stages. Jewish identity was discouraged and assimilation was officially promoted.

In the late 1940s, Stalin began his campaign to systematically dismantle Jewish culture. By 1948, only one school of higher learning remained. It was closed later that year. In 1949, all theaters, including the Yiddish State Theater in Moscow, were denied all state subsidies and subsequently folded. The glorious tradition of Jewish theater in Russia came to an abrupt end.

That same year the campaign against Jewish culture turned brutal. In 1949 and into the 1950s – what had been called “the Black Years” — many writers and poets simply disappeared. Solomon Mikhoels, the great actor and community leader, was lured to Minsk and found decapitated by what was later reported as an “auto accident.” Writers and editors were imprisoned, never to be heard from. In the winter of 1948-49, it was estimated that more than 431 artists, writers and musicians disappeared into the Gulag.

The fate of the most prestigious of the Soviet Jewish writers was reserved for the summer of 1952.

The trial, which resulted in “The Night of the Murdered Poets,” began on July 11, 1952. Among the 25 accused were renowned Jewish academics, physicians and the leading Jewish poets and writers in the USSR. They were charged with being “rebels,” “agents of American imperialism,” who also wanted to separate Crimea from the Soviet Union and to “establish their own Jewish bourgeois national Zionist republic.”

On July 18, the verdict was announced: 24 received the death penalty; only one, a woman, was sentenced to a long prison term.

On Aug. 12, the executions were carried out. They were not acknowledged for years. The bodies of the victims were never discovered. A decade later, during the Khrushchev “thaw,” some writers’ wives were sent a slip of paper telling about their husbands’ “liquidation” – with no explanation other than it had been done “under a bad time.”

In the ’50s, the executions were halted, but the policies set down by Stalin have continued in various guises until the present. Some examples: Jewish learning has been almost totally suppressed. Not one Jewish school has been permitted in the Soviet Union for more than 30 years. Generations of children have grown up ignorant of their Yiddish heritage. The so-called Moscow Yeshiva, 16 years old, consists of a handful of overaged students and has yet to graduate one rabbi. By contrast, other, much smaller, ethnic national groups such as the Germans and the Poles, enjoy a wide network of cultural and educational institutions conducted in their own language.

Despite the official suspension of Jewish culture in the USSR, a thirst for Hebrew and Jewish education persists. Seminars and unofficial classes proliferate — in cramped apartments, under KGB surveillance and harassment, and with the ever-present threat of arrest for “subversive activities.” Study groups and Hebrew language courses – from kindergarten to adult levels – exist in many cities, often using primitive, home-made texts.

Yet, while the flame of hope flickers, the tunnel grows darker. During the last year, several changes have been made in Jewish policy:

  • An end to immigration: On April 1, 1983, Pravda appealed for, and later won, the establishment of an “Anti- Zionist Committee of the Soviet Republic.” On June 6, the committee – appropriately window-dressed with a Jewish membership – gave a two-hour press conference during which the deputy chairman declared that Jews no longer wished to leave because “family reunification has essentially been completed” and have ceased to succumb to “Zionist lures.” He said nothing of the 300,000 Jews already in refusal waiting for their exit visas.
  • The severance of contact between Soviet Jews and Jews abroad: The same committee declared that “citizens who are of the Soviet people” and that Soviet Jews reject with contempt attempts by Zionist propagandists to interfere in their lives.
  • Forced assimilation: Hebrew and Jewish history circles — sporadically harassed but comparatively tolerated during the past few years — were formally declared by the committee as antithetical to Soviet law.
  • A broadening of anti-Zionist propaganda to include neo- Nazi themes. The chairman of the anti-Zionist committee characterized Zionism as a “man-hating ideology” which is “modeled on the ideas and methods of Hitler.” Much in the propaganda campaign is drawn from a newly published book by Lev Korneyev, the most prolific anti-Semitic author in the USSR, entitled The Class Essence of Zionism. In this and other recent writing, Korneyev declares the Holocaust “a myth of Zionist propaganda” and argues that the figure of six million Jews is a gross exaggeration.

Despite the 32-year span, the repercussions of Aug. 12, 1952, live on in Soviet policy. May this date and the memory of the murdered poets, writers and intellectuals it recalls give pause to those of conscience and human concern everywhere.

JEWISH EMIGRATION FROM THE USSR

STATISTICS

1965 -June 1967 4,498 1975 13,221
Oct. 1968 – 1970 4,235 1976 14,261
1971 13,022 1977 16,736
1972 31,681 1978 28,864
1973 34,733 1979 51,320
1974 20,628 1980 21,471

 

1981 1982 1983 1984
January 850 (24.9)* 290 (26.9)* 81 (23.5)* 88 (25.0)*
February 1,407 (15.8) 283 (21.9) 125 (27.2) 90 (54.4)
March 1,249 (14.3) 289 (27.3) 101 (32.7) 51 (35.2)
April 1,155 (15.5) 288 (29.5) 114 (9.6) 74 (32.4)
May 1,141 (15.8) 205 (27.8) 116 (29.3) 109 (45.9)
June 866 (14.5) 182 (27.5) 102 (38.2) 72 (40.3)
July 779 (22.2) 186 (23.1) 167 (22.8)
August 430 (22.3) 238 (20.2) 130 (22.3)
September 405 (28.6) 246 (20.7) 135 (40.0)
October 368 (24.2) 168 (34.5) 90 (46.2)
November 363 (25.0) 137 (38.0) 56 (42.9)
December 434 (22.8) 176 (39.8) 97 (32.0)
9,447 (18.6) 2,688 (27.3) 1,314 (29.5)

From October 1968 – June 1984, 264,105 persons left the Soviet Union with visas. Approximately 163,062 of them went to Israel.

‘Figures represent the percentage of those who proceeded to Israel.

Day Grows Darker

Leyb Kvitko (1893-1952)

Day grows darker
And darker.
Gangs come nearer to the town,
Gangs muddled with blood
From killing children hardened,
Coming closer zealously greedy,
Cutting heads,
Exhausted, terrified heads.
And my head too,
My head that’s yet so young,
And too my heart,
That lullabied deep inside the joy of love.

…A survivor tragic
Will enumerate the slain.
My dead name will he write
Along with many others in letters small
On a lengthy list.
Oh, may he not forget at least
To note on that long list
How old I was!

Let him leastwise note,
That my heart was bloody young
That strong, like fear, was my will to live,
Strong and crazed,
Like my final day.

translated by Herbert H. Paper

Book Signing Events, June 26, 2019

Justice, Justice Shalt Thou Pursue: Delaware's Jewish Judges

JUSTICE, JUSTICE SHALT THOU PURSUE:
DELAWARE’S JEWISH JUDGES

Wednesday, June 26, 2019

Justice, Justice Shalt Thou Pursue: Delaware's Jewish JudgesJoin us for these book signing events
The Jewish Historical Society of Delaware is pleased to announce the publication of Justice, Justice Shalt Thou Pursue: Delaware’s Jewish Judges: A History based on the program presented by Richard D. Levin at the JHSD Annual Meeting. The story of Delaware’s Jewish Judges spans 118 years and offers biographical sketches of thirty-eight remarkable men and women from Delaware’s Jewish community who have served in the Delaware Judiciary.

$10 trade paperback

DELAWARE HISTORY MUSEUM
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A Yiddish Playwrite

Levenberg

FRANKLY SPEAKING
Zev Amiti
Yiddish Play Premieres in Wilmington!

It was the first of its kind ever in the 50 year history of the Wilmington Drama League; and without doubt, the first of its kind ever, outside of the Jewish community in Delaware.

A one act play with a strictly Jewish theme, written and directed by a Jewish resident of our state was presented Feb. 3 and 4 in the Drama League near 40th and Market Street before enthusiastic audiences but I suspect it was seen by not more than a half dozen Jewish residents of our city.

“So? What’s all this about?” you may ask.

So — I’ll tell you. It’s basically about my nephew, Moishe, whom many of you know better as Morris Levenberg, known more formally as His Honor, Justice of the Peace Morris Levenberg.
I know, it’s not always kosher to write about one’s kith and kin but believe me, this is different.

Here is a Jewish resident of our state and city — a native, too; actually born on the second floor of a house that stood at Second and Shipley Streets many years ago — who has taken on a hobby of writing, directing, and participating in plays.

Maybe you remember when Reb Morris Levenberg used to direct plays in the old Jewish Community Center that used to be on French Street, between Fifth and Sixth, just below the old Adas Kodesch synagogue?

And I recall once when he staged a play on the bimah of Beth Emeth. Yes, right there on the bimah on a Friday night! It was the dramatized story of Bontche Schweig and what happened to him when he appeared before the throne of the Almighty.

Well, getting back now to my story:

The Drama League had decided to enter a play in the national one act play contest and so it offered four one act plays on Feb. 3 and 4 with the audience helping officials of the Drama League to select the one to be entered in the national contest.

So Reb Morris Levenberg wrote a one act play, based on a story by Isaac Mordecai. He helped to cast it and he also directed it. It was named “Strike of the Poor People” and it involved an old Yiddish legend that once upon a time a wealthy man decided to marry off his daughter and in accordance with Galitzianer tradition (you see, Reb Levenberg’s grandparents and mother came from Galicia), the father had to invite the poor people to the wedding.

And according to tradition, if the poor people of the village did not attend the wedding and participate in the festivities, there just could not be a wedding.

However, on this occasion, the poor people of this particular village in Galicia, went on strike. They sent a negotiator to inform the father of the bride-to-be that they would not “honor” the wedding until they were assured of a raise in donations of money, their own selection of the food, served by caterers of their own choosing.

At first, the father, Reb Yitzchock, refused to agree to the demands but finally he had to give in. Here was the point of the play: Rabbi Menasha who was scheduled to perform the wedding ceremony, advised Chaim, the negotiator for the beggars’ union that according to Talmud and Jewish law, any one who receives charity is bound to share that charity with others, particularly with the shul.

The role of the father, Reb Yitzchok, was played with great skill by Joe Halloran, a veteran member of the Drama League, whose Yiddish mannerisms and accent were superb, thanks to the direction of Reb Levenberg.
Others in the play were Clyde Hess as Rabbi Menasha; Victoria Prober as the bride and Steve Porno as the negotiator for the beggars.

The acting was so wonderful, with add due respect to Reb. Levenberg, you would have thought it had all been directed by Menasha Skulnick or Boris Thomashevsky.
Anyway, the play did direct the audiences to a fundamental Jewish law!

Even beggars who receive charity are required to share that charity with the less fortunate.

Maybe someone can persuade Reb Moishe Levenberg to restage his play in the Jewish Community Center or even in a shul.

This article by columnist William P. Frank appeared in the Jewish Voice on February 24, 1984.